MY FIFTY YEARS WITH WAGNER : Reminiscences by our Tasmanian member, Roger Glynn-Connolly
Archive | Essays & Reviews
Wagner in Brisbane 2020
Dr Peter Bassett introduces Brisbane’s upcoming performances of Der Ring des Nibelungen and Tristan und Isolde, as well as Giuseppe Verdi’s Aida
A Wonderful Experience: Parsifal in an Unusual Place
Colin Mackerras reviews a Parsifal performance in China.
Nina Stemme All-Wagner Gala, Hobart, November 2nd 2019
Nina Stemme All-Wagner Gala, Hobart, November 2nd 2019 Acclaimed Wagnerian soprano Nina Stemme had a triumphant return to Hobart on November 2nd 2019 to sing an all-Wagner program at a packed Federation Concert Hall. She was magnificently accompanied by renowned bass-baritone John Lundgren and the Tasmanian Symphony Orchestra (augmented by players from the Australian National […]
Wagner, Schumann and the other ‘Tristan’
Peter Bassett discusses contemporaries Wagner, Schumann and the writing of ‘Tristan’.
What happened to Siegfried?
Siegfried’s role at the centre of the drama as envisaged by Wagner in 1848 had certainly changed by the time Der Ring des Nibelungen premiered in Bayreuth in August 1876.
Parsifal, Victorian Opera
Colin Mackerras, Sheena Burnell and Stephen Emmerson present their observations of Victorian Opera’s February 2019 production of Parsifal.
The first Australian singer at the Bayreuth Festival
Read the fascinating story of Norma Gadsden.